![]() ![]() I've had plenty of problems delivering from Nuendo to PT (both OMF and AAF), and ended up spending some time to figure out what was making PT choke upon the import of both formats. ![]() I work at a studio that is mostly PT based, but I use N4/5 to edit regularly. I'm a little late to the conversation, David, so I hope you've figured this out. And do not select "quantise Events to Frames. Do NOT click on "Export Clip Names" in the OMF "Export Options". The table is Re Reaper format, but Steinberg track Archive is similarly well endowed.īut if you want to have another go at Nuendo OMF export for PT.Īn aspect that has not been mentioned is. Look here for an idea of the relative capabilities of OMF & PT5. You will gain Track names Vol, Pan Mute automation, markers (in the case of AATranslator these can be beat or Absolute), clip mute, lock & fades. So if you were to export out of Nuendo as a Track Archive then convert that to Either Mac OSX or PC PT5 format:. But PT5 is a far more capable interchange format than OMF (Pro- Convert can export in PT 5 as well). ![]() OMF is in general a limited format and DigiTranslator's implementation is extremely limited.Įg Nuendo can export track names, these are dropped by DTĪll fades output in a Nu OMF are Lin, and fades can be problematic for DT to read (& on export from DT all fades are rendered clips.Ĭlip gain is supported but Pan, Volume & mute automation is droppedĪATranslator can read a Nuendo OMF just fine too & will split stereo wav files to dual mono, but it's left to the user to make sure the audio files have a single Bit & Sample rate. IE common Bit & sample rate, stereo interleaved files converted to dual Mono. ProConvert does a good job of reading a Nuendo OMF and translating it to a form PT can understand. ![]() Hi I'm a long term EDL then Pro convert user (PC versions) also one of the developers of AATranslator.Ĭan confirm nuendo OMF to PT is not without problems. ![]()
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